About
Eight years producing techno and hard techno.
Most of what I know came from releasing records, playing them on club systems, and finding out where they fell short in front of an audience.
How I learned this
At the peak of it I was touring interstate most weekends, which meant hearing my own mixdowns on a different system every week. That makes it clear very quickly which production decisions hold up and which ones only ever worked in headphones.
That is the part worth passing on. The judgement calls are difficult to develop without hearing your own material played loud and identifying where it breaks down.
- Charted in the top 3 on Beatport hard techno
- Over 150 artist support videosOther artists playing the tracks in their sets
- Eight years of daily productionIn Ableton, close to every day
- Interstate touring most weekends at peakReal rooms, real systems
- Sub frequency behaviour on club systemsDifficult to learn without regular access to one
Played out
The records in other artists' sets.
Other artists playing the records in their sets. Filmed at their shows, sent through afterwards.
It is the only real evidence that a mixdown holds up outside my own room, which is why it is on the page.
Sent through by the artist, or filmed at the show. Around 150 so far.
Next
The trial is the cheapest way to find out whether this is worth your time.